Exposure 
        by Bruno Bisang
           Published by teNeues Publishing (UK) Ltd ISBN-10: 3823845985 
          
Bruno 
            Bisang was born in Switzerland in 1952. At 19 he attended the School of 
            Applied Arts for Photography in Zurich. After serving as a photographic
 assistant Bisang began freelancing in 1979. His work now sees him jetting 
            between Milan, New York, Zurich and Paris for customers such as Cosmopolitan, 
            Vogue Homme, Photo, GQ, Deutsche Vogue, Chanel and Givenchy. Bisang draws 
            much inspiration from his fascination with the films and stars of the 
            1950's - it was from avidly watching these films as a youth that he first 
            realised that he want to be a photographer. It could be argued that his 
            style of imagery falls into the same camp as Andreas H. Bitesnich in that, 
            unlike say Roy Stuart or Richard Kern, Bisang's camera and eye tends to 
            fall upon examples of what could be seen as idealised perfection.
          The book 
            opens with a one page attempt at a 'poetic' introduction from Muriel Amori 
            that, as with all the text, is reprinted in 5 languages. The photographs 
            are peppered with short paragraphs by Bisang such as this one from the 
            inside cover:
          "I 
            believe that I have the ability to entice from a woman something that 
            she has within her, without her being aware of it. To present her in a 
            way that she has never seen herself before. To enable her to discover 
            something in her own inner self which has until now been unable to surface. 
            I transfer my own sensitivity to her; I give her my all. From within this 
          common universe my pictures emerge." 
           
Given 
            that the models are all examples of Amazonian idealised perfection and 
            include Claudia Schiffer, Tyra Banks, Carré Otis and Monica Bellucci 
            - it is hard to accept the claim that they have been shown something, 
            in these photographs, of their inner self "which has until now 
              been unable to surface." But then this reviewer has often made 
            plain his cynicism with regard to much of the text that accompanies photographic 
            monologues. Photographs should be allowed to speak for themselves and 
            when they are as good as the ones exhibited within the pages of 'Exposure' why detract attention away by trying to explain them? 
          The book 
            ends with a selection of photographs entitled 'Video Prints'. These heavily 
            pixilated, low resolution, digital images are a welcome addition as they 
            offer a counter and contrast to the preceding photographs of perfection 
            and may point to a new direction for Bisang.
          Within its 
            200 heavy weight pages are approximately 150 duotoned and colour photographs 
            - for the most part printed one per page. The large format, hard-backed 
            limited edition version, of this beautifully printed and prepared volume, 
            comes complete with an attractive slip case.
          Review by 
            Christopher John Ball
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