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A Glossary of Photographic Terms H- M

Halation
Is a diffused ring of light typically formed around small brilliant highlight areas in the subject. It is caused by light passing straight through the emulsion and being reflected back by the film base on the light sensitive layer. This records slightly out of register with the original image.

Halo
A light line around object edges in a image, produced by the USM (sharpening) technique.

Hanger
A frame for holding sheet film during processing in a tank.

Hard Developer
A paper developer that can be used alone or in combination with other developers (two-bath development). When used alone, a hard developer can produce a wide range of tones. Contrast can be varied by changing paper grades, changing filtration, or using a softer developer to obtain intermediate contrast grades.
(See paper types: variable contrast, graded contrast, resin coated, fibre based.)

Hardeners
Are chemicals often used with a fixing bath to strengthen the physical characteristics of an emulsion. The most common hardeners are potassium or chrome alum.

H&D curve
Another name for the D/log E curve, after its originators, Ferdinand Hurter and Vero C. Driffield.

High Contrast
A wide range of density in a print or negative.

High key
A light image that is intentionally lacking in shadow detail.

Highlights
The whitest or brightest part of an image; the opposite of shadows.

Highlight Separation, Highlights
Important bright areas (highlights) of a scene in which detail must be recorded (exposed) onto the film. Highlights are represented on a negative by dense deposits of black metallic silver, reproducing as the bright areas on a print. (Also see shadow detail.)

Honeycomb
Grid which makes light from a flash (or other source) more directional, like a spot rather than a flood.

Hot Shoe
The fitting on a camera that holds a small portable flash. It has an electrical contact that aligns with the contact on the flash unit's "foot" and fires the flash when you press the shutter release. This direct flash-to-camera contact eliminates the need for a PC cord.

Hot-spot
Concentration of light in a particular area.

Hue
The aspect of colour that distinguished it from another colour (what makes a colour red, green, or blue). Hue is distinct from saturation, which measures the intensity of the hue.

Hyperfocal Distance
Distance of the nearest object in a scene that is acceptably sharp when the lens is focused on infinity.

Hypo
The name for a fixing bath made from sodium thiosulfate, other chemicals, and water; often used as a synonym for fixing bath.

Hypo Clear
Chemical solutions used to speed up the efficient removal of fixer from the prints in subsequent water washings of the prints.

Image plane
Is the plane commonly at right angles to the optical axis at which a sharp image of the subject is formed. The nearer the subject is to the camera, the greater the lens image plane distance.

Incandescent lamp
An electrical lamp in which the filament radiates visible light when heated in a vacuum by an electrical current.

Incident Light
Light falling onto a surface, not reflected from it (reflected light).

Incident meter
A hand-held Exposure meter that measures the intensity of light falling on the subject. To use it, you usually aim the hemispheric dome toward the camera. Most incident meter can also be used in a mode to measure reflected light.

Indoor film
Film formulated to give correct colour rendition when photographing subjects under 3200K light. It is also called "tungsten" film. Most film is balance for daylight and if you use daylight film with household lamps or photographic lamps, the colours will be slightly reddish or orange. The light from an electronic flash is similar in colour rendition to daylight.

Infinity
In photographic terms is a distance great enough to be unaffected by finite vibration. In practice this relates to most subjects beyond 1000 meters or in landscape terms, the horizon. When the infinity distance is within the depth of field all objects at that distance or farther will be sharp.

Infrared
The region of the electromagnetic spectrum adjacent to the visible spectrum, just beyond red with longer wavelengths.

Integration
Integration in photographic analysis is defined as the method of averaging all density ( illumination ) values either in R, G, and B, or as neutral density and saving this aggregate value to determine exposure in the camera or the darkroom.

Intensity
The relative brightness of a portion of the image or illumination source.

Inter-negative
A negative created directly from a colour-reversal (positive) or black-white positive film. It is the negative copy of the camera original.

Inter-positive
A positive transparency image generated as an intermediate step to enlarge an image in positive form either from a negative or positive material.

Inverse square law
A law of physics that states that light from a point source fall off inversely to the square of the distance. As a example, if a light is 10 feet from your subject and you move it to 20 feet, you'll only have 1/4 the lighting intensity. If you move the light to 40 feet, it will now have only 1/16th the intensity.

Inverting
Creating a negative of an image

ISO Speed
The emulsion speed (sensitivity) of the film as determined by the standards of the International Standards Organization. In these standards, both arithmetic (ASA) and logarithmic (DIN) speed values are expressed in a single ISO term. For example, a film with a speed of ISO 100/21° would have a speed of ASA 100 or 21 DIN.

K 14
Kodak's chemical process for developing Kodachrome slides.

K (Kelvin)
Abbreviation for Kelvin temperature, the measurement of the redness or blueness of white light. This is written without the degree sign. Daylight at noon, for example, has a Kelvin temperature of about 5500K, while photographic tungsten lamps are 3200K. Technically it is a measurement of the colour of white or grey based on the temperature to which a black body must be heated to produce that colour of white.

Key light
A studio light used to control the tonal level of the main area of the subject.

Key-stoning
Distortion of a projected image when the projector is not directed perpendicular to the screen.

Lamp
A general term used to describe the various kinds of artificial light sources used in photography.

Lantern slides
Is a old term used to described transparencies.

Large format camera
Is a general term for any camera having a picture format of 4x5 inches or larger.

Latent Image
The invisible image left by the action of light on photographic film or paper. The light changes the photosensitive salts to varying degrees depending on the amount of light striking them. When processed, this latent image will become a visible image either in reversed tones (as in a negative) or in positive tones (as in a colour slide).

Lateral reversal
A mirror image, as seen in the viewfinders of some cameras where the scene appears flipped from left to right.

Latitude
Is the degree by which exposure can be varied and still produce an acceptable image. The degree of latitude varies by film type. Faster films tend to have greater latitude than slower films.

LCD panel
Liquid Crystal Display on cameras that shows such information as remaining exposures, flash status and aspect ratio selected.

Leaf shutter

A camera mechanism that admits light to expose film by opening and shutting a circle of overlapping metal leaves.

Lens
One or more pieces of optical glass or similar material designed to collect and focus rays of light to form a sharp image on the film, paper, or projection screen. A lens made of a single piece of glass cannot produce very sharp or exact images, so camera lenses are made up of a number of glass "elements" that cancel out each other's weakness and work together to give a sharp true image. The size, curvature and positioning of the elements determine the focal length and angle of view of a lens.

Lens aperture (f/)
The physical opening of a lens. The smaller the f/number the more light passes through.

Lens barrel
A metal or plastic tube with a blackened inner surface, in which the lens elements and mechanical components of the lens are mounted.

Lens cap
Is a plastic, rubber or metal cover which fits over the front or back of the lens to protect it.

Lens coating
A layer or multiple layers of thin anti-reflective materials applied to the surface of the lens elements to reduce light reflection and increase the amount of transmitted light.

Lens Shade

A collar or hood at the front of a lens that keeps unwanted light from striking the lens and causing image flare. May be attached or detachable, and should be sized to the particular lens to avoid a vignette.

Lens-Shutter Camera
A camera with the shutter built into the lens; the viewfinder and picture-taking lens are separate.

Lens Speed
The largest lens opening (smallest f-number) at which a lens can be set. A fast lens transmits more light and has a larger opening than a slow lens.

Light-box
A box of fluorescent tubes balanced for white light and covered with translucent glass or plastic. Used for viewing, registering or correcting prints , film negatives and positives.

Light meter
Is an alternate term for exposure meter.

Light sources
A general term applied to any source of light used in photography.

Lighting ratio
The ratio between the key and fill lights.

Light-tight
Refers to any room or containers that is absolutely dark inside, allowing no unwanted light to penetrate.

Line art copy
Images containing only black and white pixels. Line art may also include one-colour image, such as mechanical blue prints or drawings.

Lithium
Some of the newer digital cameras are now coming with a lithium rechargeable battery pack. Lithium batteries are lighter and more costly than NiMH or NiCad type of rechargeable cells and can be rapidly charted.

Lith film
A type of film made primarily for use in graphic arts and printing. It produces an image with very high contrast.

Low key
A dark image that is intentionally lacking in highlight detail.

Luminance
Lightness. The highest of the individual RGB values plus the lowest of the individual RGB values, divided by two; a component of Hue-Saturation- Lightness image.

Luminosity
The brightness of either a light source or a reflective surface.

Lux
A measurement of the light intensity. One Lux in video means light level of a candle light. l Lux approximately equals to 10 foot-candles (1 Lux = 10.764 fc).

Macro attachment
These are supplementary elements attached to the front of a normal lens to give an extreme close-up facility.

Macro Lens
A lens that provides continuous focusing from infinity to extreme close-ups, often to a reproduction ratio of 1:2 (half life-size) or 1:1 (life-size).

Magazine
A light tight metal container (cartridge) that holds 135 film (cylindrical magazine).

Main light
Same as " Key light " the principal source of light, usually in a studio, and generally the brightest light on a subject or scene.

Manual exposure
A mode of camera operation in which all exposure settings are determined and set by the photographer.

Mid tones
An area of medium brightness, neither a very dark shadow not a very bright highlight. A medium grey tone in a print.

Mini-lab
Photo-finishing operation that operates on a retail level, serving consumers directly and processing film on-site.

Modeling light
A light built into a flash unit that remains on while the flash is turned or on standby mode, permitting the photographer to assess highlight and shadow areas that will be created when subsequently exposing the film in the brighter light of the flash.

Mono bath
Is a single solution which combines developer and fixer for processing b&w negatives. It is a quick simple system but does not allow for development control.

Monochrome
Single-coloured. An image or medium displaying only black and white or greyscale information. Greyscale information displayed in one colour is also monochrome.

Monopod
A one-leg stand for holding the camera steady.

Monorail
Large format camera (usually, though there are medium format examples) constructed on an " optical bench " principle with front and rear standards on a rail.

Motor Drive
A mechanism for advancing the film to the next frame and re-cocking the shutter, activated by an electric motor usually powered by batteries. Popular for action-sequence photography and for recording images by remote control.

Mounting press
Also called a dry-mounting press. A device that provides both pressure and heat, for mounting a photograph on a support, using a tissue coated with heat-softenable adhesive.

Mounting tissue
Also called mounting tissue. A thin paper coated with adhesive on both sides for permanently adhering a photograph to a support. The adhesive is softened by heat and hardens when it cools.

Movements
Large format camera movements to help focus, shape, composition or converging angles (swing, shift & tilt ).

Multiple exposure
More than one exposure on the same frame of film. Called a " Double-exposure " when there are two exposures on a single film frame.

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